ARROW is aiming for the heart of cult cinema lovers with its February 2022 lineup. Highlights include Laguna Ave, outlandish sci-fi comedy streaming February 1, and The Sleeper Must Awaken: Making Dune, the feature doc on David Lynch’s divisive space epic — plus more cult picks.
Play ball! Season 4 of Dead On the Bases opens with Inning 1: Tim (the Vamp) and Jeff Miller (the Ump) launch a new season of horror-vs-sports movie assignments. Stream the January 2022 broadcast and subscribe for the season.
The Faculty of Fear opened its year with the January 25 broadcast (the episode title says 2021). Stream the full Dead On Movie Reviews episode for the panel’s horror verdicts, with subscribe links to follow every week.
Shudder keeps stocking its shelves: the streamer has acquired Speak No Evil, Christian Tafdrup’s psychological horror and a Sundance Midnight official selection, ahead of its world premiere. Here’s the full story on the pickup.
Centennial (1978) is the epic 12-part NBC television miniseries based on James A. Michener’s novel, tracing 200 years of Colorado history. Read our full review – Grade: A-.
February on Shudder brings the heart of horror home. This month’s lineup is packed with new originals and exclusives — including Slapface on February 3, rolling out across Shudder US, UKI, and ANZ. Here’s what’s streaming this month.
This week’s Otherworldly Culture roundup: Dead On the Bases is cancelled this Thursday — but a preview show airs anyway, and Inning 1 of the new season starts just one week later. Plus a special Universally Loved entry Westerns fans won’t want to miss.
The Faculty of Fear opened 2022 on January 11 with a fresh round of horror verdicts. Stream the full Dead On Movie Reviews broadcast and grab the subscribe links to follow the panel all year.
Sarah Adina Smith’s THE MIDNIGHT SWIM gets the Collector’s Edition treatment from Yellow Veil Pictures. Get a first look at the cover art and disc extras, plus pre-order details ahead of the January 25 VOD release.
Universal Pictures isn’t just the horror guys — they make Christmas movies too. In this edition of the Universally Loved column, we look at the studio’s holiday output, including Nancy Meyers’ The Holiday (2006).
